The RE:formation series features three art objects—RE:Red_Horse, RE:Mona, and RE:Black_Square—each paying homage to iconic works of art while drawing inspiration from contemporary ecological discourse. By merging commercial symbols with artistic references, the series examines the interdependence of human-made materials and the natural environment.
Each piece presents a fusion of a canonical artwork with the ubiquitous presence of Coca-Cola cans, creating a visual dialogue around consumer culture and environmental impact. This synthesis, influenced by Timothy Morton’s concept of hyperobjects and the material entanglement of modern life, recontextualizes the aluminum can as a symbol of both presence and consequence.
Created for auction at the annual management conference of Coca-Cola Hellenic Bottling Company AG, the artworks serve as tangible expressions of ecological reflection—urging viewers to reconsider their relationship with mass production and the enduring imprint of everyday objects on the planet.